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Destruction

Miss Sasaki went back to her office and sat down at her desk. She was quite far from the windows, which were off to her left, and behind her were a couple of tall bookcases containing all the books of the factory library, which the personnel department had organized. She settled herself at her desk, put some things in a drawer, and shifted papers. She thought that before she began to make entries in her lists of new employees, discharges, and departures for the Army, she would chat for a moment with the girl at the right. Just as she turned her head away from the windows, the room was filled with a blinding light. She was paralyzed by fear, fixed still in her chair for a long moment (the plant was 1,600 yards from the center).

Everything fell, and Miss Sasaki lost consciousness. The ceiling dropped suddenly and the wooden floor above collapsed in splinters and the people up there came down and the roof above them gave way; but principally and first of all, the bookcases right behind her swooped forward and the contents threw her down, with her left leg horribly twisted and breaking underneath her. There, in the tin factory, in the first moment of the atomic age, a human being was crushed by books.

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The joy came from finding at last what hatred was made for. As a boy with an axe rejoices on finding a tree, or a boy with a box of coloured chalks rejoices on finding a pile of perfectly white paper, so he rejoiced in the perfect congruity between his emotion and its object. Bleeding and trembling with weariness as he was, he felt that nothing was beyond his power, and when he flung himself upon the living Death, the eternal Surd in the universal mathematic, he was astonished, and yet (on a deeper level) not astonished at all, at his own strength. His arms seemed to move quicker than his thought. His hands taught him terrible things. He felt its ribs break, he heard its jaw-bone crack. The whole creature seemed to be crackling and splitting under his blows. His own pains, where it tore him, somehow failed to matter. He felt that he could so fight, so hate with a perfect hatred, for a whole year.

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I trailed
your guts
a mile through snow
before my second bullet
stopped it all.
Believe me now,
there was a boy
who fed butterflies sugar water
and kept hurt birds
in boxes in his room.

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I've always told people that for each person there is a sentence -- a series of words -- which has the power to destroy him. When Fat told me about Leon Stone I realized (this came years after the first realization) that another sentence exists, another series of words, which will heal the person. If you're lucky you will get the second; but you can be certain of getting the first; that is the way it works. On their own, without training, individuals know how to deal out the lethal sentence, but training is required to deal out the second.

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And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.

What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world.

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