'Pooh, promise you won't forget about me, ever. Not even when I'm a hundred.'
Pooh thought for a little while. 'How old shall I be then?'
'Ninety-nine.'
Pooh nodded. 'I promise,' he said.
She searched me carefully, as with a scene on is asked to memorize; that is, as if she might never see me again. 'Thank you for a pleasant walk, Asgar.'
'It was pleasant.'
'Yes.'
'I'm grateful you could come Alice.'
'It's been nice.'
Dull, ordinary words for people who want the moment to die. And perhaps, I did. It was too awful to think that I had preserved my heart so long ago and that now, years later, I had stuck it in my chest, smelling of formaldehyde, and found it too sorry and shriveled to work. But it's a common tale. Isn't there a statue, in Shakespeare, of a long-dead queen who comes to life before the eyes of her mourning king? The king rejoices and repents, but what does he do the next day? Does he remember how she sang off-key as she brushed her hair, how she screeched at servants?
I am now the most miserable man living. If what I feel were equally distributed to the whole human family, there would not be a cheerful face on the earth. Whether I shall ever be better I can not tell; I awfully forebode I shall not. To remain as I am is impossible. I must die or be better, it appears to me.
In reality, loneliness was more like a slow and constant drowning. I simply disappeared. The hall and classroom swallowed me up, and I became invisible, my quiet flailing unnoticed.
By means of shrewd lies, unremittingly repeated, it is possible to make people believe that heaven is hell -- and hell heaven. [...] The greater the lie, the more readily it will be believed.
I think back on things that happened. I bet you think you can pinpoint where it started for her. It’s easy to think that, when you look back at something as a whole. But when you’re living it, day by day, it’s like you’re in the belly of something and you can’t see it’s whole shape from the inside.
No one lives in this room
without confronting the whiteness of the wall
behind the poems, planks of books,
photographs of dead heroines.
Without contemplating last and late
the true nature of poetry. The drive
to connect. The dream of a common language.
They can rule the world while they can persuade us
our pain belongs in some order.
Is death by famine worse than death by suicide,
than a life of famine and suicide [...]
I do not know
who I was when I did those things
or who I said I was
or whether I willed to feel
what I had read about
or who in fact there was with me
or whether I knew, even then
that there was doubt about these things.