I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?
If I were a poet, that’s what I’d write about. People who worked in the middle of the night. Men who loaded trains, emergency room nurses with their gentle hands. Night clerks in hotels, cabdrivers on graveyard, waitresses in all-night coffee shops. They knew the world, how precious it was when a person remembered your name, the comfort of a rhetorical question, “How’s it going, how’s the kids?” They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers lived without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.
Quote from The Chancellor Who Agreed To Play Spy (May 8, 1973) (The New York Times) by John le Carré in Popular Culture - Quote published by Gabrielle 5 months ago ()
No matter how much I feel, I’m not going to let it out. If I have to cry, I’m gonna cry on the inside. If I have to bleed, I’ll bruise. If my heart starts going crazy, I’m not gonna tell everyone in the world about it. It doesn’t help anything. It just makes everyone’s life worse.
Why should I want to return
to a time where even when I occupied that time
I wanted to go back to another time
and so on, like my head in barbershop mirrors,
endlessly deferring to its own
earlier version. What is the use of nostalgia?
He was dark, he was filled with stories like the serpent in myths; each white tooth contained a story and each story a hundred others, they were all within him, intertwined, sleeping. The stranger, flashing with legends, he cannot be overcome. Once they have escaped him, these hymns, these jokes, these lies join with air, they are breathed, they cannot be filtered out. He is like the prow of a ship cutting through seas of sleep. Silence is mysterious, but stories fill us like the sun.
My name is Gabrielle and I am twenty-eight years old. I began to self-injure at age fifteen -- so nearly thirteen years minus a two year period. This website is one about self-injury (self-harm), made to let self-injurers know that they are not alone and to help their friends and family learn more about self-injury and how it affects their loved one.